{"id":2447,"date":"2021-02-05T12:29:31","date_gmt":"2021-02-05T11:29:31","guid":{"rendered":"https:\/\/www.gil24.com\/GIL24-TV\/archives\/2447"},"modified":"2021-02-05T12:29:31","modified_gmt":"2021-02-05T11:29:31","slug":"deep-dive-into-fallen-kingdoms-incredible-jurassic-vfx","status":"publish","type":"post","link":"https:\/\/www.gil24.com\/GIL24-TV\/deep-dive-into-fallen-kingdoms-incredible-jurassic-vfx\/","title":{"rendered":"Deep Dive into Fallen Kingdom&rsquo;s Incredible Jurassic VFX!"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"Deep Dive into Fallen Kingdom&#039;s Incredible Jurassic VFX!\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/n-F-s5PSP8w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>The first 1000 people to use the link will get a free trial of Skillshare Premium Membership: <a href=\"https:\/\/skl.sh\/famefocus02211\" rel=\"nofollow\">https:\/\/skl.sh\/famefocus02211<\/a><\/p>\n<p>Get some cool drag &#038; drop VFX here! \u25ba <a href=\"https:\/\/www.famefocus.com\/go\/getvfx\/\" rel=\"nofollow\">https:\/\/www.famefocus.com\/go\/getvfx\/<\/a> \u25c4<\/p>\n<p>Dinosaurs have fascinated us since we learned of their existence. They are alien and yet recognizable, mystical, but natural, Terrifying but comfortingly extinct. The Idea of bringing Dinosaurs back to life may seem like a nightmare to most but it&rsquo;s every VFX animator&rsquo;s \u00ab\u00a0Dream come true\u00a0\u00bb.<br \/>\nLike the music in this video?<br \/>\nGet it on Google Play:\u25ba <a href=\"https:\/\/bit.ly\/2F10vbs\" rel=\"nofollow\">https:\/\/bit.ly\/2F10vbs<\/a> \u25c4<br \/>\nGet it on itunes: \u25ba <a href=\"https:\/\/apple.co\/2ENGfu9\" rel=\"nofollow\">https:\/\/apple.co\/2ENGfu9<\/a> \u25c4<br \/>\nListen on Spotify: \u25ba <a href=\"https:\/\/spoti.fi\/3boTfCl\" rel=\"nofollow\">https:\/\/spoti.fi\/3boTfCl<\/a> \u25c4<br \/>\nBuy it on Amazon: \u25ba <a href=\"https:\/\/amzn.to\/2QVJZfk\" rel=\"nofollow\">https:\/\/amzn.to\/2QVJZfk<\/a> \u25c4<br \/>\nIndustrial Light and Magic.<br \/>\nA \u00ab\u00a0Big budget\u00a0\u00bb film generally means \u00ab\u00a0Big Budget\u00a0\u00bb VFX, and Jurassic World: Fallen Kingdom is no different. A $170 million budget, of which about a third was spent on special effects.<br \/>\nILM provided 1200 shots including \u00ab\u00a0The trapped T.Rex\u00a0\u00bb, The new hybrid Indoraptor, stampede sequences, and 15 different dinosaurs including \u00ab\u00a0Blue\u00a0\u00bb.<\/p>\n<p>Blue<br \/>\nBlue is a Velociraptor that Owen, AKA Chris Pratt trains as a baby in the previous film \u00ab\u00a0Jurassic World\u00a0\u00bb.<br \/>\nILM animators referenced Blue&rsquo;s character and personality from the previous film and added aggression and distrust because Blue had been living in the wild since the last film.<br \/>\nFor \u00ab\u00a0Baby Blue\u00a0\u00bb a Puppet was made for Chris to interact with and ILM animators added CGI enhancements to make it more realistic.<br \/>\nFor \u00ab\u00a0Adult Blue\u00a0\u00bb A full CG model was made in addition to Animatronics. In close-up scenes where Blue was virtually motionless, for example, during the operating table scenes, a full-scale animatronic was on set. ILM then enhanced the performance adding more complexity of movement, such as extra throat movements, muscle firing, augmenting nostrils, eyes, and lip movements. This technique meant that contact between blue and the actors was real, all eyelines matched up and \u00ab\u00a0Blue\u00a0\u00bb looked like a real dinosaur.<br \/>\nFor scenes where Blue was in motion, she&rsquo;s 100% CG.<\/p>\n<p>Indoraptor<br \/>\nThe Indoraptor is a hybrid based on Blues DNA but three times larger, it has longer arms that it can use in a more humanlike fashion and can walk on two legs or 4.<br \/>\nIn almost every shot the Indoraptor is CG, although an Animatronic head, claws, and hands were made and performed by puppeteers.<br \/>\nThis gave the actors something to interact with, the animators and lighting artists something to match, and helped the director and camera operators with \u00ab\u00a0framing\u00a0\u00bb.<br \/>\nIn a scene that will probably give nightmares to generations of children to come, the Velociraptor \u00ab\u00a0Blue\u00a0\u00bb and the Indoraptor have a fight inside a kids bedroom.<br \/>\nThis scene was especially complicated because when animating two large creatures fighting in a small space, it&rsquo;s hard to keep the illusion of \u00ab\u00a0Weight\u00a0\u00bb. Toys may hit the wall and fall to the floor but when a dinosaur hits the wall, the room has to move too!<\/p>\n<p>Tyrannosaurus Rex<br \/>\nUsing ILM&rsquo;s Digital files they 3D printed a full-size T.Rex head! to be used in the \u00ab\u00a0Trapped T.Rex\u00a0\u00bb scene. Putting it together was said to be like a massive dinosaur jigsaw puzzle.<br \/>\nDuring the scene, the \u00ab\u00a0drugged T.Rex\u00a0\u00bb begins to regain consciousness as Claire and Owen try not to wake it up. Here animators switched from practical to full CG as the T. Rex woke up, first by adding eye twitches and then slowly building until ramping up to full CG as it opens its mouth to attack.<\/p>\n<p>Scanline<br \/>\nScanline mostly worked on The Isla Nublar and the escape sequence and volcano eruption.<\/p>\n<p>Isla Nublar<br \/>\nScanline received concept artwork from ILM which gave them a basic idea of how it should look as well as framing and camera positions. Knowing that a lot of shots from the film were filmed in the Hawaiian islands they used these islands as references.<br \/>\nTexturing was done using Mari, Photoshop, and World Machine, World Machine gave them the advantage of being able to create displacement maps as well as textures, so they got textures fitting their geometry as well as their own textures, making for a much more convincing effect than just painting on the geometry.<\/p>\n<p>Please give us a like if you enjoyed this video, don&rsquo;t forget the links to the music in this video are in the video description and be sure to let us know, in the comments, which movie VFX you&rsquo;d like to see behind next!<\/p>\n<p>This video was sponsored by Skillshare. <\/p>\n<p>Read more here: <a href=\"http:\/\/www.famefocus.com\" rel=\"nofollow\">http:\/\/www.famefocus.com<\/a><br \/>\nFollow us on Twitter: <a href=\"https:\/\/twitter.com\/focusfame\" rel=\"nofollow\">https:\/\/twitter.com\/focusfame<\/a><\/p>\n<p><script>function 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They are alien and yet recognizable, mystical, but natural, Terrifying but comfortingly extinct. The Idea of bringing Dinosaurs back to life may seem like a nightmare to most but it&rsquo;s every VFX animator&rsquo;s \u00ab\u00a0Dream come true\u00a0\u00bb.<br \/>\nLike the music in this video?<br \/>\nGet it on Google Play:\u25ba https:\/\/bit.ly\/2F10vbs \u25c4<br \/>\nGet it on itunes: \u25ba https:\/\/apple.co\/2ENGfu9 \u25c4<br \/>\nListen on Spotify: \u25ba https:\/\/spoti.fi\/3boTfCl \u25c4<br \/>\nBuy it on Amazon: \u25ba https:\/\/amzn.to\/2QVJZfk \u25c4<br \/>\nIndustrial Light and Magic.<br \/>\nA \u00ab\u00a0Big budget\u00a0\u00bb film generally means \u00ab\u00a0Big Budget\u00a0\u00bb VFX, and Jurassic World: Fallen Kingdom is no different. A $170 million budget, of which about a third was spent on special effects.<br \/>\nILM provided 1200 shots including \u00ab\u00a0The trapped T.Rex\u00a0\u00bb, The new hybrid Indoraptor, stampede sequences, and 15 different dinosaurs including \u00ab\u00a0Blue\u00a0\u00bb.<\/p>\n<p>Blue<br \/>\nBlue is a Velociraptor that Owen, AKA Chris Pratt trains as a baby in the previous film \u00ab\u00a0Jurassic World\u00a0\u00bb.<br \/>\nILM animators referenced Blue&rsquo;s character and personality from the previous film and added aggression and distrust because Blue had been living in the wild since the last film.<br \/>\nFor \u00ab\u00a0Baby Blue\u00a0\u00bb a Puppet was made for Chris to interact with and ILM animators added CGI enhancements to make it more realistic.<br \/>\nFor \u00ab\u00a0Adult Blue\u00a0\u00bb A full CG model was made in addition to Animatronics. In close-up scenes where Blue was virtually motionless, for example, during the operating table scenes, a full-scale animatronic was on set. ILM then enhanced the performance adding more complexity of movement, such as extra throat movements, muscle firing, augmenting nostrils, eyes, and lip movements. This technique meant that contact between blue and the actors was real, all eyelines matched up and \u00ab\u00a0Blue\u00a0\u00bb looked like a real dinosaur.<br \/>\nFor scenes where Blue was in motion, she&rsquo;s 100% CG.<\/p>\n<p>Indoraptor<br \/>\nThe Indoraptor is a hybrid based on Blues DNA but three times larger, it has longer arms that it can use in a more humanlike fashion and can walk on two legs or 4.<br \/>\nIn almost every shot the Indoraptor is CG, although an Animatronic head, claws, and hands were made and performed by puppeteers.<br \/>\nThis gave the actors something to interact with, the animators and lighting artists something to match, and helped the director and camera operators with \u00ab\u00a0framing\u00a0\u00bb.<br \/>\nIn a scene that will probably give nightmares to generations of children to come, the Velociraptor \u00ab\u00a0Blue\u00a0\u00bb and the Indoraptor have a fight inside a kids bedroom.<br \/>\nThis scene was especially complicated because when animating two large creatures fighting in a small space, it&rsquo;s hard to keep the illusion of \u00ab\u00a0Weight\u00a0\u00bb. Toys may hit the wall and fall to the floor but when a dinosaur hits the wall, the room has to move too!<\/p>\n<p>Tyrannosaurus Rex<br \/>\nUsing ILM&rsquo;s Digital files they 3D printed a full-size T.Rex head! to be used in the \u00ab\u00a0Trapped T.Rex\u00a0\u00bb scene. Putting it together was said to be like a massive dinosaur jigsaw puzzle.<br \/>\nDuring the scene, the \u00ab\u00a0drugged T.Rex\u00a0\u00bb begins to regain consciousness as Claire and Owen try not to wake it up. Here animators switched from practical to full CG as the T. Rex woke up, first by adding eye twitches and then slowly building until ramping up to full CG as it opens its mouth to attack.<\/p>\n<p>Scanline<br \/>\nScanline mostly worked on The Isla Nublar and the escape sequence and volcano eruption.<\/p>\n<p>Isla Nublar<br \/>\nScanline received concept artwork from ILM which gave them a basic idea of how it should look as well as framing and camera positions. Knowing that a lot of shots from the film were filmed in the Hawaiian islands they used these islands as references.<br \/>\nTexturing was done using Mari, Photoshop, and World Machine, World Machine gave them the advantage of being able to create displacement maps as well as textures, so they got textures fitting their geometry as well as their own textures, making for a much more convincing effect than just painting on the geometry.<\/p>\n<p>Please give us a like if you enjoyed this video, don&rsquo;t forget the links to the music in this video are in the video description and be sure to let us know, in the comments, which movie VFX you&rsquo;d like to see behind next!<\/p>\n<p>This video was sponsored by Skillshare. <\/p>\n<p>Read more here: www.famefocus.com<br \/>\nFollow us on Twitter: https:\/\/twitter.com\/focusfame <a class=\"mh-excerpt-more\" href=\"https:\/\/www.gil24.com\/GIL24-TV\/deep-dive-into-fallen-kingdoms-incredible-jurassic-vfx\/\" title=\"Deep Dive into Fallen Kingdom&rsquo;s Incredible Jurassic VFX!\">[&#8230;]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":6609,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":{"0":"post-2447","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-23"},"_links":{"self":[{"href":"https:\/\/www.gil24.com\/GIL24-TV\/wp-json\/wp\/v2\/posts\/2447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gil24.com\/GIL24-TV\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gil24.com\/GIL24-TV\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gil24.com\/GIL24-TV\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gil24.com\/GIL24-TV\/wp-json\/wp\/v2\/comments?post=2447"}],"version-history":[{"count":0,"href":"https:\/\/www.gil24.com\/GIL24-TV\/wp-json\/wp\/v2\/posts\/2447\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gil24.com\/GIL24-TV\/wp-json\/wp\/v2\/media\/6609"}],"wp:attachment":[{"href":"https:\/\/www.gil24.com\/GIL24-TV\/wp-json\/wp\/v2\/media?parent=2447"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gil24.com\/GIL24-TV\/wp-json\/wp\/v2\/categories?post=2447"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gil24.com\/GIL24-TV\/wp-json\/wp\/v2\/tags?post=2447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}